I went to a Fringe Festival play the first year that I lived here in San Francisco. I had met a potential date online, on Craigslist because it was used for it back then, and we met for a play. I recall that it was some kind of science fiction thing that also had to do with Elvis and that I didn’t like it at all. I recall even less about my date who I didn’t see again. But even though the date was a flop and the choice of play a miss, I loved living in a city with Fringe Fest. I remember that I took the cable car home from my date, because I lived in North Beach then, and I felt like there was nothing more romantic than wearing high heels, hanging off of the cable car, going back to the place where I lived with my best friend.
2016, Fringe Fest
I hadn’t been back to Fringe Fest since, despite loving and attending many local theatre performances throughout the years. Sometimes I think Fringe Fest just passed without my noticing it. Other years there was just too much going on – school or petsitting or travel. Often, there were just other things on the calendar; San Francisco is filled with events through summer and fall and you can only do so many of them in a given year before your emotional and psychological well is too full and you need to rest your mind. So somehow ten years went by and I didn’t attend Fringe Festival again … until this year.
A Mathematician at Play
The first day of the festival was last weekend, and we went and checked out a performance at Exit Theater called A Mathematician at Play, in which magician / mathematician Greg Tobo shared some inside secrets about how math can seem magical … while also performing magical feats like multiplying huge numbers in his head and filling in a soduko style puzzle at an advanced level in front of our eyes.
It Came From Fukushima, from Fringe Fest on Flickr
Last night we went and saw two more performances, back-to-back, at PianoFight. The first was It Came From Fukushima, a play inspired by Godzilla-style movies. It has the feel of old detective films with some martial arts and socio-political statements worked in. The program includes the old style of red/blue paper 3d glasses, and although they turn out not to be so necessary, it is fun to put them on. The play begins and ends with intensely beautiful live saxophone music. And it includes a monster.
Mathematician and Fukushima were both good enough performances. I didn’t think that they were outstanding but I didn’t dislike them either. I thought they were entertaining. I liked them. But I LOVED Queer Heartache, which was the third performance we saw. New York-based Kit Yan (formerly Laura from Hawaii) is a slam poet sharing his story through spoken word in one of those performances that touches on the political through being in touch with the personal.
Kit uses vignettes from different stages of his own life to reveal to the audience what it has been like to be moving along the gender spectrum, learning about self-identity, figuring out what that means in relationships from dating to family … particularly as a person of color. He shares snippets of life as a child growing up in poverty, as an older sibling trying to set an example for a young brother, as a straight man attending speed dating events, as a genderqueer man dealing with body hair and injury … as a human in various ages and stages approaching life with both seriousness and humor. Warning: this show has some graphic sexuality and even more graphic emotion oozing from between the lines. Raw and honest, sometimes funny, continually authentic, definitely a must-see in my book.
San Francisco Fringe Festival runs for another week. Queer Heartache has two more performances. There are also tons of other great things to see. The fabulous thing about Fringe Fest is that there is something for everyone. Each of the works are unique and different … and they are affordable enough that you can take a risk on a play that is out of your normal comfort zone. Support local theater.