WhimSea! And Kat Robichaud’s Misfit Cabaret Album on Kickstarter

kat

Last week I went to a beautiful performance at The Great Star Theater, my favorite theater, to see Kat Robichaud and the Misfit Cabaret. I loved every moment of the Thursday night Whim-Sea show, and it was my intention to do a post at the time to let more people to know that they must go see it that weekend before it closed. Good intentions, and all that … all I managed to do was get a few social media posts up hoping to send people to check it out, and to share the photos that I took with a reviewer from SFist. But it’s not too late to share, because the two original songs that Kat performed were my two favorites of the night and they are going to be available on her next album, which is in Kickstarter funding right now. So, let me tell you a little about the show and then some more about the Kickstarter.

WhimSea

whimsea

Whimsea was a cabaret performance inspired by the sea so it was filled with mermaids, modern sea shanties and references to underwater-related things from olden times to pop culture. The whole thing was hosted by Kat who was the undeniable star of the show but gave great stage space to a variety of other performers.

(If you’re asking yourself is it that Kat Robichaud, yes, of course it is her because there could be no other. She did perform on The Voice where she did a great job but it’s really much, much more of a joy to see her up close and personal where she’s doing creative stage work in a way that seems so much more authentic to who she is. Not that I know her, but that’s the sense I get from watching her perform.)

waltz

From Kat’s Instagram

In any case, I absolutely agree with Joe over at SFist when he writes,  “Her act seamlessly fuses the jazz chanteuse and screwball comedy genres that have no business working so well together.” And I agree with the two star acts he named – Carnie Asada is endlessly hilarious and Frankie Fictitious is stunningly beautiful – but I disagree with his assessment that the other variety acts were somehow not up to par. The music from Rabbit Quinn and Justin Seagrave couldn’t be more different from each other and yet somehow they worked in the same performance, separated by various acts, loosely hanging together with a theme of the sea, each lending their individual musicianship to the overall perfect ebb and flow of the night.

carnie asada

But, as I said before, Kat is really the star of the show. Her voice is amazing, and it’s not just that, it’s that she is a true performance artist. She’s funny and charming and sassy and her costume changes are fabulous (plus she supports local artists and costume designers with them). She created two new original songs for the show, both of which I fell in love with. One is in honor of David Bowie, and it has the perfect tune and lyrics to exactly express why he should be honored. The other is The Last Waltz of The Wrights, which was amazing not just for the song but for the Whimsea stage performance in which two dancers dramatically perform a rock waltz about a romantic murder-suicide. It gave me chills.

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From Kickstarter

I loved it. I love everything about Kat and her Misfits and I love everything about Great Star Theater, where they will be performing again in October for a two night show called A Very Bloody Misfit Cabaret.

Kickstart the Album

And as I mentioned, the two original Whimsea songs that I loved are going to be on an upcoming album currently on Kickstarter. It includes eight other songs from different performances. I was only able to pledge a small amount to get the music and some small bonuses but there are some awesome artistic and performance prizes at the higher donation levels … and I happen to know firsthand from my own crowdsourced funding, first through Indiegogo for Hook to Heal and now through Patreon for ongoing work, that even the smallest amount you are able to donate is truly helpful to individual artists in getting their work out there. Support amazing creative work!

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Color Me Badd at Monarch

coloring date

My beaux and I originally met on the How About We dating site. A few months ago, we joined their relatively new site for couples where you pay a monthly fee and get a monthly date for free along with discounts on various dates. We’ve done some fun things through them although I’m not sure it’s worth the $18 monthly fee. A recent example of that was our date at Monarch, which was a fun date but not worth the $18 we paid just to get a free date for the month.

Color Me Badd

random coloring art

The date was called Color Me Badd and was supposed to be a date for two at happy hour at Monarch. It was advertised as having 90’s slow jams and risque coloring plus two free vodka drinks. I assumed that there would be dancing since I’ve been to the two-level bar before but the bottom level with the dance floor was actually closed so it was just lounging. The music wasn’t danceable anyway; there were no slow jams and whatever was playing was more in the family of heavy metal than anything nostalgic.

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Beautiful Art Peacocks by Laurel Roth

peacock art

I originally discovered the work of artist Laurel Roth a few years ago when researching for my crochet blog because she has a set of crochet pigeon suits that are adorable. Roth recently did a local fellowship at DeYoung museum (where so many of my favorite artists spend time!) so I wanted to check out what she’s been creating. That’s how I discovered her pretty bejeweled upcycled peacock art, although she actually created it in 2011.

peacock

The artist describes this collection:

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More from the Cartoon Art Museum

A couple of days ago I mentioned that I’d been to the Cartoon Art Museum recently to see a women’s comic artist exhibit and a Ninja Turtles art exhibit. Here are a few more things I saw during that visit.

Animation Camera

More from the Cartoon Art Museum More from the Cartoon Art Museum More from the Cartoon Art Museum More Comic ArtMore from the Cartoon Art Museum More from the Cartoon Art Museum More from the Cartoon Art Museum More from the Cartoon Art MuseumThis one amused me because it’s about the tragedy of gas prices rising … and it was done in 1920. Some things never change!
More from the Cartoon Art Museum

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